My expanded use of painting trails unexpected historical traces into a multidisciplinary practice. Spanning painting, immersive installation, experimental exhibition, film, and the translation of female artists’ writings into Korean, my practice unfurls the elusive subjectivity of art and artist of a new migrant generation in the postcolonial and cross-cultural context based on the interest in visual culture and race and ethnic studies. In particular, painting through other means such as appropriation, anachronism, and relationality, In-Between Series (2015~), Hinged Picture System (2020~), and the newly developing experimental exhibition Global Joy (2023~) survey various painterly experimentations seeking the validity of painting today, further attempting to expand psychological, social, and phenomenological interests relating to formal and visual perception.

Jenny Eunjung Cho is an artist based in New York and Seoul. She obtained a Bachelor of Fine Arts from New York University and a Master of Fine Arts from Columbia University. She has had solo shows at Kimsechoong Museum,  Sindoh Art Space Seoul, Doosan Gallery New York, and Seoul, Gana Art Space, New York. She participated in numerous group shows at Leeum Samsung Museum, Tiger Strikes Asteroid Brooklyn, Judith Charles Gallery New York, Gallery Skape Seoul, Gallery Kiche Seoul, and more. 

IG: @j_ej_cho